When I was in university, I drew numerous human bodies, and I paid extra attention to the curves of human bodies and people's emotions. Emotions are like human bodies, sometimes calm, sometimes ups and downs. The relationship between spirit and body is often seen in the discussion of religion or philosophy, which is the most essential question of our world.
When I was painting, I tried to interpret my own emotions, break them and recombine them, which were soft and loud, fragile and hard, empty and interesting. I used the Chinese painting form to paint large areas where the flow of water-based paint dispersed and converged uncontrollably on the paper, creating intertwining lines that resemble the thoughts of the human brain. I also used chrome spray paint to make some three-dimensional lines and blocks, reflecting the most realistic colours, environments and moods of the moment through the mirror, allowing the immediate environment to merge with the image, just like the world we live in, where change and integration are always on the move.
